Huge, domineering basses, hissing synth lines, and densely-woven percussion sections are all pillars this crooked house is built upon. With the release of Zand (2020) Martin's nasally vocals join the fray embodying a deranged man with one goal: to eat all the sand. From the insanity of the title track, through the chaotic electronics of "Dune," past the rich and momentous "Sand Castle," and finishing with the oddly smooth "Feast," Martin displays incredible versatility and an unparalleled flair for the unique.